'Masa' and 'Last Shot'
Poetry
by Christopher Rubio-Goldsmith
Masa
The fire is full of faces, some bored, some fresh and
some stale. Try remembering this
you can always leave. Just stand, make sure
the harmonica your abuelo gave you is
in your pocket, and then stride out into there.
Once at a party full of classmates you tried
telling the story of Popocateptl and Iztaccihatl.
The one with the jean mini skirt asked, “how do you know
this?” Because when making tamales
you need something to dispatch the
boredom of olives and corn husks. Or
when you are making tortillas you need
to make sure the masa is smooth. Stories
help create a texture you can bake.
The idea that a volcano erupts because
of love is beyond myth and trope. Sometimes
near that fire, for an instant, we discover
who we are then we fear to lose it.
Last Shot
Without time and days in rooms
without windows and loud music raining
around the walls, there we kept the mom
out of it, sketching pictures
of sad hillbillies and clowns
walking three legged dogs. Red snow cones
dripping on their snouts. Outside we filled
up the blue plastic wading pool,
lounging like broken days, moving it, staying
in the shadows. The day’s heating so real
we composed soundtracks for it. Practicing our
Spanish because we never knew when one of our
crazy tios would appear carrying an ice chest
and an alligator. If we didn’t answer correctly
and quickly we received nalgadas.
Often others arrived carrying opened bottles of booze.
Chairs pulled near the small blue wading pool,
tunes turned louder. We all sang
along, because we knew what summer days were for.
If Curtis arrived, he insisted we find the Giant’s game
on the radio. We’d cheer for Bonds, and mock the redneck
Kemp. The day picked up pace until the last shot. The diminishing
bottles looking sad, like the myth where the sun stops rising.
This was youth wasted? We were once happier,
but it only lasted a quiet long walk
on the beach watching the baby turtles swim into the surf.
The big birds acting indifferent overhead.
About the Author
Christopher Rubio-Goldsmith was born in Merida, Yucatan, grew up in Tucson, Arizona and taught English at Tucson High School for 27 years. Much of his work explores growing up near the border, being raised biracial/bilingual and teaching in a large urban school where 70% of the students are American/Mexican. A Pushcart and Best of the Net nominee, his writings will appear in Clockhouse, and Inverted Syntax and have been published in Sky Island Journal, Cool Beans Journal, Discretionary Love and other places too. His wife, Kelly, sometimes edits his work, and the two cats seem happy.
About the Artist
Tena Smith is a multidisciplinary artist whose work in a variety of mediums has been showcased and sold in multiple galleries and boutiques across the state of Florida since 2007. Her love of experimental techniques can be seen in much of her work no matter the medium. Finding endless joy in the creative process and problem solving, it is the journey that drives her more so than the end result. She believes that sharing that journey with others in the hope of inspiring them to find their own unique voice is where true success lies. She describes her cyanotype process at Alternative Photography and she posts on Instagram as @tenasmithdesigns.