Category: poetry

1971

1971

Poem

by Ceinwen Haydon

Evenings at the smokey folk club,
roll-ups and real ale –
you tune up,
strum your guitar
and sing.
In bed, after midnight,
soft from drink and mingling,
our bodies warm and damp,
I wonder
if I’ve been played.
I stumble up naked
to go to the loo,
skin goosebumped.
Back under the covers
you wrap me in your arms
and mutter someone else’s name.

pastel stereo
About the Author

Ceinwen E Cariad Haydon [MA Creative Writing, Newcastle 2017] lives in Newcastle upon Tyne, UK, and writes short stories and poetry. She has been widely published in web magazines and in print anthologies; these include Northern Gravy, Ink, Sweat and Tears, London Grip, Tears in the Fence, The Lake and Southbank Poetry.  She is a Pushcart and Forward Prize nominee. Her first chapbook ‘Cerddi Bach (Little Poems), was published in 2019 by Hedgehog Press and her pamphlet ‘Scrambled Lives on Buttered Toast’ is due to be published by Hedgehog Press in 2024. She is developing practice as a participatory arts facilitator, mainly working with elders and intergenerational groups. She believes everyone’s voice counts.

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Two Grey Beards, Not a Greek Tragedy & Christmas Offer

Two Grey Beards, Not a Greek Tragedy & Christmas Offer

Poems

by Mike Ferguson

Two Grey Beards

The grey-bearded man walking towards me
looks like a long lost twin
here above Marton in the South Lakes
where wind turbines serenade the sheep.

We stop and say hello and are soon talking
about oil barons and political shenanigans
and how the turbines are ugly objects –
wave power the better alternative

but not with petroleum in the ground and
those men who run things still so full of desire.
On this we agree, and it is amazing
how quickly a conversation develops,

he suggesting I take a walk at Pennington
(assuming I am as committed as him)
and it seems right to explain a problem
when I tell him of my wife’s infirmity.

He asks outright and I inform him of the 40+ years
and he praises her for doing so well
when I agree, again. The turbines still turn,
sheep ignoring the whirr and moving shadows.

We both look out beyond where we stand and a lamb
bleats for its mother, lost for a few seconds.
I have earlier taken pictures of the turbines on
Spring green hills against cloudless blue skies

and all these sheep grazing at their sides.
I want to suggest there is a beauty
in these contrasts, but think better of it.
One picture I see later when viewing on the

camera’s screen is a city of wind machines in the
haze out at sea we both commented on
when talking, he not knowing of my
collection of ugly things made beautiful

in their surroundings. Where we might have
concurred if discussing this is how in life
we make the best of things, even if a fleeting spin
on a country lane with two grey-bearded men.

Not a Greek Tragedy

With recalls like shifting sand, it wouldn’t be a
Greek tragedy had he lost my book on the beach,

a memoir opened in his hands to a brush of sea
breeze – yet forgetting it there, pages would

have unfurled after waves rose up to layer it out
in its to-and-fro of liquid reading. Or if he left the

book opened on a taverna table when drinking
to a different forgetfulness, chancing Ouzo

after a vignette about Derrida, trying to deconstruct
that hangover before it arrives caboose-first,

someone else could stumble across and discover
the problems of language. But to leave behind in an

airport lounge was the existential gift to fellow
travellers, others to pick up the storylines and

possibly connect – having lost and found like us
too – and we can think it an altruism of a fortuitous

share when bringing a wider audience in to play,
an improvisation with a framing in our names.

Christmas Offer

Reading that Sunday’s newspaper supplement
Those We Lost, he was warmed by how many
of those recollected had touched his life too:
memories shaped by their presence and what

was left behind, hearing and seeing afterwards
to feel life all over again. He contacted closest
friends and asked if they would want a forfeit
of his own life for any such as those others.

It couldn’t be a free-for-all – and apart from not
eschewing his own survival completely, he wanted
a category to be made up with the like-minded,
some deep empathy in any permanent exchange,

so he selected Musicians / Writers / Actors / Artists
(‘creatives’ as a shared love), and though never
thinking he’d made similar impressions, hoped
this would be a prompt and urge for remembering him.

From however many of these, one would be chosen
to return and take his place, and it’d be his decision
entirely – the least he would request in the offering.

Setting a deadline up to the end of the week as
plenty of time for their deliberations, he did
receive one response early the next morning.

animation_sea_coast
About the Author

Mike Ferguson is an American permanently resident in the UK. An eclectic writer, he is widely published online, and his most recent poetry collection is ‘Drinking Watermelon Whiskey’ (Red Ceilings Press, 2023)

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Transition, Sentence & Ars Poetica

Transition, Sentence & Ars Poetica

Poems

by Robert Allen

Transition

Separation changed the color of my eyes from pale blue to soot gray. The skin around them stayed swollen and oldish, so I pulled my eyes out one day. And even though we worked it out, and got back home again, I never put my eyes back. They still roll like plastic toys in my pocket. I take them out and press them deeply in my head. Nothing happens but the black film of the sky falls darkly upon the day. Separation changed the color of my eyes from pale blue to soot gray.

Sentence

A gush of angels and the warm susurrus of God convey a poetic mood. One of fluidity. As does sex, death, words, love, lies, heroes, and villains. You can be anything or anyone  in a poem. You can kill your demons or love the liquid body of The Beloved. You can eat the bloodred word you use for “pomegranates” as seeds spill from your mouth and juice fills your cheeks. There is only one rule: you cannot change or leave. You are stuck in the poem forever.

Ars Poetica

I don’t know why this bother happens to me, this noise.

                           Sometimes it’s as boring as dead gods, at other times

some flowering beauty caught and splayed like stars.

It’s nothing but the self, the gorgeousness of things,

                           the pulsing emptiness and impetus of an unborn poem

and what I fear and love as the long night comes on.

snowglobe-village
About the Author

Robert Allen lives in Oakland, CA with his family, where he writes poems and coaches poets to be better in their craft.  www.robertallenpoet.comhttps://twitter.com/RobertAllenPoet

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Two Mornings

Two Mornings

Poem

by Devon Neal

art: Samuel Horsley

School begins on a Wednesday this year,
which means I have two more mornings
to sit with the quiet of the house,
a stillness pure enough to notice
the cats yawning wild on the couch,
the warm whir of the dryer stirring buttoned shirts,
the icy sigh of the air unit kicking on,
and, outside, rain washing the plump fruit
of the pear tree, straining by the fence.

About the Author

Devon Neal (he/him) is a Kentucky-based poet whose work has appeared in many publications, including HAD, Stanchion, Livina Press, The Storms, and The Bombay Lit Mag, and has been nominated for Best of the Net. He currently lives in Bardstown, KY with his wife and three children.

About the Artist

Samuel Horsley is an artist and printmaker whose images range from loveably strange cats to macabre gods and ethereal monsters. During his Graphic Design degree at Central St Martins, he specialised in illustration and was influenced by the work of Goya, Švankmajer and Scarfe. He prints screens and linos at Hot Bed Press Studio and he instagrams as @idonthaveorgans

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